Investing in LGBTQ+ heritage

Investing in LGBTQ+ heritage

Heritage has a crucial role to play in contributing to a flourishing, more equitable and inclusive society.

That's why inclusion, access and participation is one of the four investment principles that guide our grant decision making.

Since 1994 we've invested over £12million across the UK in sharing stories of LGBTQ+ (lesbian, gay, bisexual, transgender, queer and other identities) heritage, creativity, activism and much more.

If you've got an idea for a project, we'd love to hear from you.

The terms we use

At The National Lottery Heritage Fund, we use the acronym LGBTQ+ (lesbian, gay, bisexual, transgender and queer). The ‘+’ represents people who identify as non-binary, intersex, asexual and other identities.

We use these acronyms because we believe they are widely understood. Identities can be complex and intersectional, and we are also aware that for many these terms may feel inadequate or limiting. We keep the language we use constantly under review.

Performers in servants' attire at Duckie’s Lady Malcolm’s Servants’ Ball
Duckie’s Lady Malcolm’s Servants’ Ball at Bishopsgate Institute. Credit: Holly Revell

Projects

Re-enacting the 100-year-old Lady Malcolm's Servants' Ball

A collective of performance artists re-enacted Lady Malcolm’s Servants’ Ball; a firm fixture of the queer scene in London almost a century ago.

Woman with rainbow flag at Chester Pride
Chester Pride

Projects

Celebrating Cheshire's LGBT History

Body Positive has recorded and digitised the memories of the LGBT+ community in Cheshire, saving their legacy for future generations.

Museum of Oxford's Queering Spires exhibiton. Display post it notes with comments and memories from visitors.

Stories

Case study: Queering Spires - a history of LGBTIQA+ spaces in Oxford

The organisation The Museum of Oxford is dedicated to telling the story of Oxford and its people. The project The temporary exhibition, Queering Spires aimed to tell the untold stories of hidden queer spaces in the city of Oxford. The local authority-run museum wanted to focus on the principles of a

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