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Grantee Q&A

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in a film studio a person wearing a hearing aid watches computer monitors
D/deaf people were involved as crew and interviewees in the making of the project's film. Credit: Zebra Access.

Stories

Grantee Q&A: adapting oral history methods for Walsall’s D/deaf community

Bob Marsh, Managing Director at Zebra Access, and Robyn Swannack, Project Manager, offer their reflections and advice on helping a community tell its own stories while accommodating a wide range of access needs.
six people stand in a field with tall grass, with countryside fields and a lough in the background
Peter McEvoy, Director of Land Management at Ulster Wildlife stands far right. Also pictured visiting Fedian are, left to right, Sharon Archer, Senior Investment Manager at the Heritage Fund, John Witchell, Ulster Wildlife Chair, Dawn Miskelly, Ulster Wildlife Chief Executive Officer, Giles Knight, Environmental Farming Scheme Advisor and Nikki McVeigh, Northern Ireland Committee Member for the Heritage Fund.

Stories

Grantee Q&A: the Heritage Fund’s flexibility in supporting natural heritage surprised me

Peter McEvoy from Ulster Wildlife shares reflections and advice on the different stages of the nature conservation charity’s project – from writing an application at speed to the surprising amount of nature recovery it’s already supported.
a tour guide speaks to a group of five people standing around an information board in a stone building
Tours of Boston Lodge help visitors understand the site's heritage. Photo: Chris Parry.

Stories

Grantee Q&A: setting out your project vision and adapting to succeed

We asked Ffestiniog Railway Company’s General Manager Paul Lewin and Project Manager Edwina Bell about how they delivered the restoration of Boston Lodge, the world’s oldest continuously operating railway engineering works.
five people on a tour of an allotment garden on a sunny day
An activity in the community garden for Roots, part of Belfast 2024's Our Future Heritage programme.

Stories

Grantee Q&A: delivering a heritage-inspired creative programme

We asked Christine Osborne from Belfast City Council to share what she’s learned from the Council’s Belfast 2024 project journey – from developing their application to building a legacy plan.
A podcast episode is being recorded in a studio designed to feel like a cosy living room, with three SWI members talking to a host.
Recording a podcast episode with SWI members Maz Thorn, Janette McKirdy and Sandra MacArthur. Photo: Scottish Women's Institutes.

Stories

Grantee Q&A: preparation is critical to every stage of your heritage project

It’s a big challenge to capture and share over a century of community history. Scottish Women’s Institutes (SWI) CEO Diane Cooper tells us what she’s learned from developing and delivering its unique heritage programme.
Young volunteers at the wheel of a ship out at sea on a sunny day.
Blyth Tall Ship has created inspiring volunteer opportunities in the north east. Photo: Colin McLean Photography.

Hub

Get advice from heritage grantees

Explore guidance from successful grantees about your application, the project delivery process or how to evaluate what you've achieved.
Two women, sat at the bar of a cosy pub, raise their glasses and smile at the barman.
The restored pub has become a focus for socialising and a hub of key community facilities. Photo: Ty'n Llan.

Stories

Grantee Q&A: collaboration and contingency key to community project success

Siôn Jones, project manager for the restoration of the Grade II listed Ty’n Llan Tavern near Caernarfon, shares what he’s learned throughout the process – from the importance of meticulous planning to managing the day-to-day surprises of delivery.
Young volunteers at the wheel of a ship out at sea on a sunny day.
Blyth Tall Ship has created inspiring volunteer opportunities in the north east. Photo: Colin McLean Photography.

Stories

Grantee Q&A: the importance of collaborating, learning and adapting

We asked grantees from the Highlands to the Midlands to share their reflections and advice on the different stages of their journey with us – from application, through delivery, to evaluation.
A group of men and women in high vis jackets and outdoor attire gather around a newly built bench on a wooded hillside.
A community group build benches as part of the Lost Peatlands project. Photo: Neath Port Talbot Council.

Stories

Grantee Q&A: how to build a compelling project narrative

Richy Pulman from Neath Port Talbot council shares lessons learned during its Landscape Connections project – from how to make your application easy to understand, to the importance of asking for help.
Twimukye Mushaka smiles whilst looking at a portrait of herself on display.
A portrait of Twimukye Mushaka, by photographer Karen Gordon, featured in the project's exhibition highlighting migrant stories in Scotland.

Stories

Grantee Q&A: building a platform for a community's heritage

Nazek Ramadan from Migrant Voice shares her reflections and advice on the different stages of their project’s journey – from the challenges of the application process to the joys of providing amazing opportunities for their community.
An illuminated replica of the ship Queen Elizabeth floats on the park lake at night.
The original illuminations captured the imaginations of local people and visitors from around the UK. Photo: Whittle Productions.

Stories

Grantee Q&A: illuminating Leamington's festival of light

We asked Carole Sleight and David Clargo, co-directors of Whittle Productions, to share what they learned from delivering a unique oral history project in their local community.

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